Nashville number system chart pdf how to#
Then add VI - the relative minor - and practice some songs that include that, in all those keys.įrom then on it should be pretty clear how to proceed: more keys, more chords. Just find some three-chord songs, mark them up with I, IV, V, and practice playing them in all those keys.
Later on - if you think you're going to need them - learn them all, including keys beginning on sharps and flats.) (Where's F? Certainly, learn this in F - but it's not a favourite key for guitarists because I and IV are both barre chords. Start with the "three chord trick" I, IV, V in the keys rock'n'roll bands like to use: To become a fast reader of numbered chords, it's good to learn functional sets of chords in various keys. Marking it up with numbers - I, IV, V - or 1, 4, 5 - makes it clear that you're presenting a chord progression that you'll happily see transposed to any key. But still, the sheet says that C is the "right" key. That is, if someone said "hey, let's do it in E instead", they'd play E, A, B chords. Many musicians would be able to transpose that on-the-fly. If I notated Jailhouse Rock with C, F, G chords, then I'm telling the reader the song is in C. The purpose of Nashville Numbering is to notate the chord changes in a song, without tying it to a specific key. All that remains is to learn to apply it in "real time" when playing. Click here to learn more about it.In the question, you seem to demonstrate that you understand the notation perfectly well. And THAT is why everyone uses the Nashville Number System.Īgain, this is just a very brief look at it. When you learn your scales and numbers, it is a bazillion times easier than the other way. If this still seems a little hard at first, just trust me. Or you could just start on E♭ and use the same numbers you already had. And then six half steps from A again is uh." ZZZZzzzzz. So then your next chord is G, so six half steps from G is. "So you'd measure the distance from A to E♭, which is 6 half steps. Technically you could transpose it from A to E♭. Now SOMEONE out there is asking "Couldn't I just transpose it from key to key without this?" Yes. The more you use this and the more familiar you are with your scales, the less you have to think about it.
Obviously you wouldn't be rewriting this every time. So this example can now be translated to C instantly:ġ = C ♭7 = B♭ 4 = F 1 = C 2 = D 5 = G 1 = C 1 = Cīut what if you're in the studio and the lead singer says "It's a little too low, let's go to D." Easy. You know, 'when in Rome'? In fact, most Pros and good amateurs will usually assume you already know how to use it.īut WHY does everyone use it? When you write out a song in numeric notation like this, the numbers can be applied to any key. Now you're probably asking, "Why would I take the time to do this?" The answer is simple: because everybody in the music industry uses the Nashville Number System. For a better understanding you should check out The Nashville Number System Ebook.
This is just a very brief look at the system. Now each of these numbers becomes a chord.ġ is a D chord. We then assign numbers to each of these notes. For example if we are in the key of D, we write a D scale. We start by taking the key the song is in and writing the scale. This way the song can be played in any key at any time with out rewriting it. The Nashville Number System (also just called the number system) is a way of writing the chords to a song in a "universal" or neutral key using numbers instead of chord names. For those of you who are not familiar with it, it is definitely a useful system to know.
If you are an experienced musician, you probably are already familiar with the Nashville Number System or have at least heard of it. The Nashville Number System: Today's Way of Writing Chords
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